The cursed legacy for the young state are drunkards and truants, who have not yet rebuilt their lives in the new social conditions. But life is changing: the inhabitants of the commune dormitory, a huge, cubist-style house, “orderly” run in the morning for exercise, eat in the canteen, which resembles a factory conveyor belt.

The film recreates the events of 1905. In the center of the picture is the struggle of the proletariat, led by the Bolshevik party, against tsarism. The demonstration of labor unrest is replaced by episodes of the Russo-Japanese war, Black-Hundred demonstrations, accompanied by a pogrom of Jews, and beating of the intelligentsia. The film paints the attitude of the Mensheviks towards armed insurrection, reproduces the picture of barricade battles, the arrest of the Council of Workers' Deputies and the brutal reprisals of the tsarist autocracy with revolutionaries.

On the struggle against the kulaks and on the involvement of individual middle peasants in the collective farm.

Exposing the customs of provincial philistinism in the years of NEP. Small town. Mitya, going to the party of his bride Shurochka, finds a dying woman with infants. When he comes to visit the child, everyone decides that he was the father - and kicks him out. Mitya decides to drown himself. Unknown saves him and helps to stage his own funeral. During the mourning ceremony, Mitya rise from the grave, thanks the inhabitants petrified by horror, and leaves the city forever. Lost movie.

After eating too much, the glutton-millionaire realizes that he has ruined his stomach. The hired scientist, Professor Fuchs, proposes a new surgical treatment that would separate the processes of satiety and digestion. To do this, you need to find a healthy person who agreed to provide the stomach. He is found, and soon the millionaire showed fantastic food absorption abilities. The painful sensations of an overloaded stomach were experienced not by the glutton, but by the unemployed driver, Emil. Lost movie.

It is a history of founding Odesa at the location of former Turkish fortress Khadjibey.

The film is about the life of a White emigrant returning to Soviet Russia.

A Soviet propaganda film based on material from the Bolshevik coup. During the Russian civil war, the Whites, that anti-Communist force that fought against the Bolsheviks during that period, capture a Jewish Ukranian village; the gang commander threatens a pogrom, and will kill everyone in the village unless the inhabitants agree to give to the White Officers five virgin girls in wedding dresses. Under such terrible pressure, the Jewish council of the town decides, full of sorrow and despair, to sacrifice their daughters to the drunken officers but fortunately and just in time, a detachment of partisans that belong to the Red Army, comes and frees the village.

This revolutionary epic likens the push for industrialization of Soviet Ukraine with the battle for Perekop during the Civil War. A missing plow blade is presented as a symbol of the country's backward peasant economy that needs to be transformed in the course of the industrial construction. In an onslaught of rapidly changing images, Ukrainian village with its peasants suspicious of everything new, dramatically collides with the frenzy of working factories, plants, and mines.

During the NEP era, the ex-wife of a White officer, now married to a dedicated Soviet worker and lover to several bourgeois “specialists”, is expelled by her husband’s party for her affairs. Meanwhile, the commissar’s wife, once captured by White Cossacks, helps her husband lead a prisoner revolt and later serves as an exchange inspector on the commodity exchange. When she exposes the director’s fraud and her husband is wrongly implicated, both are reassigned to the provinces and depart together. Considered lost.