An artistic documentary based on a report of the same name from Ladislav Mňaček's book Where Dirt Roads End. A psychological reflection on the feelings of an individual who operates like a modern, fully automated control room of a large hydroelectric power plant. His subjective ideas intertwine with the environment of the workplace, accompanied by the music of J. S. Bach.

A poetic melodramatic documentary inspired by the death of Jan Palach. The footage from the funeral is accompanied by the words of Maxim Gorky's Old Woman Izergil (On the Flaming Danek's Heart), sung by Kühn's mixed choir, solos by Milada Sýkorová and Jiří Němeček. The apotheosis of a leader who sacrificed himself to save his people, warning of the cowardice of the crowd.

A poetic melodramatic documentary inspired by the death of Jan Palach. The footage from the funeral is accompanied by the words of Maxim Gorky's Old Woman Izergil (On the Flaming Danek's Heart), sung by Kühn's mixed choir, solos by Milada Sýkorová and Jiří Němeček. The apotheosis of a leader who sacrificed himself to save his people, warning of the cowardice of the crowd.

A poetic melodramatic documentary inspired by the death of Jan Palach. The footage from the funeral is accompanied by the words of Maxim Gorky's Old Woman Izergil (On the Flaming Danek's Heart), sung by Kühn's mixed choir, solos by Milada Sýkorová and Jiří Němeček. The apotheosis of a leader who sacrificed himself to save his people, warning of the cowardice of the crowd.

An artistic documentary based on a report of the same name from Ladislav Mňaček's book Where Dirt Roads End. A psychological reflection on the feelings of an individual who operates like a modern, fully automated control room of a large hydroelectric power plant. His subjective ideas intertwine with the environment of the workplace, accompanied by the music of J. S. Bach.

Magdaléna, pure-hearted and guided by emotion, attracts Zápotočný, a callous egoist and abuser. Their turbulent relationship, set against a backdrop of social hardship, forces Magdaléna to confront the limits of compassion and the price of innocence when faced with brutal selfishness.

A king was dying. An old man told his sons that only the water of life would save him.