Zeljko is the labour union leader at Gredelj Train Factory. His deputy, Mladen, has committed suicide after massive public protests and inter-union clashes. Zeljko is torn between the guilt he feels over Mladen’s death and workers’ expectations that he will lead a strike that should thwart a plan by the government, acting on the EU’s behest, to declare the factory bankrupt. WHAT’S TO BE DONE? is structured in three acts. The first act uses observational documentary footage; the second, footage filmed a decade later; while the third is fiction.

In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?

Horizon is an intimate story about the sea in the midst of an ecological crisis. In the collective imagination, the open sea and its isolated islands have always been a place of longing, contemplation, escape, even salvation. But, can these places still provide an escape in a time of global warming and pollution? This film essay, shot on the remotest and most isolated island in the Adriatic, observes the primordial seascape and the layered environmental changes that surround it.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

The steak has been marinating for a few days now. The pan is heated. Franc's stomach is rumbling. But Liza's co-workers surprise her with a birthday party. Will she be home on time?

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.

Which image is real - the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.