The story played by civilian players is laid in a Transdanubian village, where on the initiative of the municipality doctor the local inhabitants wish to build a social welfare home as volunteers, with the support of the local co-operative and the state farm. Having first consented to the plan, the leadership of the county starts opposing the project because of the plan to build a social welfare home called the City of the Happy Aged to be established by the county. Both parties take the field for their ideas and the battle starts.

A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.

A woman and her lover plot to kill her older husband.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

Set in 1983, behind the Iron Curtain of Eastern Europe in Budapest, the film follows Frank, the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken to the police psychiatric hospital in an attempt to silence him, Frank will sacrifice everything to resist.

A bee-keeper initiates fight against the society of consumption for saving the bees.

Péter Gerő's unfinished portrait film of cinematographer-filmmaker György Fehér. The "film torso" (as the director calls it), which is shorter than 40 minutes, features such prominent figures from the history of Hungarian film and television as theatre and television film specialist István Lénárt, film director Károly Makk, film aesthete Yvette Bíró, and organiser László Béla. Also includes many unforgettable anecdotes and photographs of György Fehér from the time.

A drug dealer spends his day pedaling around Budapest visiting friends and clients.