A man awakens from a two-month-long coma. Total amnesia. A bullet fired point blank. He doesn't remember anything. He's told that he had a wife and a son. They've been killed. He's revealed his past identity by the Colonel, who insists they are best friends. He's a Major of the Military Security Agency. An inspector from the State Security Agency appears affirming that he has information on people responsible for the massacre of his family. The Major is discharged from the hospital. He tries to patch together a normal life but is confronted with emptiness and despair. His only chance of discovering his identity and the assassin of his family is to accept the game that the Inspector has set up for him with the Businessman, the Mafioso and the Politician. He agrees... Discovers that he was a war criminal... Realizes who took a shot at him... Finds out who killed his family... Discovers the Fourth Man!

The film discusses generational and adaptational problems. The child of a cadre revolts against the omnipotent paternal authority and his own generations' nihilist members.

Returning from his imprisonment in Russia during the First World War, Franz Ferdinand Trotta, a young KuK officer, discovers how much the defeat has transformed Vienna and his people. He is stunned by the new order of things. Having lost his entire fortune and his wife, who is having a sapphic relationship with a Hungarian artist, he tries to regain his place in a world that appears devastated.

This grotesque historical film is a caricature of the narrow-minded and careerist oligarchs of the 20s. A young military officer stops the young jurist from killing himself and recommends him to his commander, lieutenant-colonel Doborján as a typist.

Csendkút is a historical film drama made for the fiftieth anniversary of the 1956 revolution and freedom struggle and dedicated to the poet Attila Gérecz, the 1956 revolution and freedom struggle commemorating his martyrdom.

For the first time after 11 years, Simon, a young historian visits the village of his childhood at Balaton and Aunt Lina, his foster-mother. He gets upset by what he experiences there: the old woman's troublesome and vexing everydays, her quiet sadness. He is overwhelmed by his own memories, the death of his foster-father and by everything he was not aware of before, or he simply wanted to forget.

Mr. Dezső and Rezső are selecting the heroes for their new operetta. They represent different tastes and styles, and keep arguing about the casting of the four men and four women.

The bitter film grotesque focuses on a Socialist Mafioso. Vágó, the enthusiastic young propagandist is put up at Apuka (Daddy) of the outskirts, Dávid. In the hands of Apuka everything becomes money and he skilfully avoids inspection and controls. In order to help his little family, he sells his rabbit husbandry as mutton, he practises usury on and blackmails his tenants, their rooms are operated as cigar stores.

Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.

The 16th century Kecskemét troubled by both the Kurutses and the Labancs would like a Bey from the Buda pasha to defend them in exchange for four beautiful girls, but only gets a caftan. It was a good deal, however. All Muslims fall on their knees when they see the magic caftan and fulfil its owner's wish.