A French woman of African descent manages to escape after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where she is taken in by a group of children. By becoming their protégée and maternal figure, she will see her destiny change inexorably.

Miriana “Miwi" awakens at midnight to find out her sister Juliana had an accident. We don't have more information, just the vertiginous impulse of Miwi to take some food, money, a cell phone and start the car in order to accompany her sister on a trip where she will find some clues about what happened. We view the history from Miwi's point of view while we found out the events that occurred sharing with her the pain and bewilderment.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

Jean Remy is a Haitian man struggling to find employment in Dominican Republic. Confronted with rejection and discrimination in the city, he sets off to try his luck in the countryside. Imbued with a naturalistic grace, this deeply sympathetic portrait speaks eloquently to the trials of humanity.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

Miriana “Miwi" awakens at midnight to find out her sister Juliana had an accident. We don't have more information, just the vertiginous impulse of Miwi to take some food, money, a cell phone and start the car in order to accompany her sister on a trip where she will find some clues about what happened. We view the history from Miwi's point of view while we found out the events that occurred sharing with her the pain and bewilderment.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.