A young man is stood up at the altar. His overprotective mother decides to join him is what would have been his honeymoon, so as not to waste the trip. He ails while his mum enjoys the trip of her life.

A father sews a national flag which he has promised to his son on the occasion of the National Day celebration. He leaves home on the said day and on his way loses his flag. He sets out to find it and ends up meeting people who'll make him reflect on the core value of the country, that of sharing and helping each other

Alex is a huge Manchester United fan who's preparing for a Manchester versus Liverpool game. He has a satellite dish installed to be able to watch the game on TV. His young neighbour Kenny is a Liverpool fan who also hopes he'll be able to watch the game. Yet Alex rejects his request...

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.

During a lavish wedding party, long held grudges and the past sins of the rich and powerful collide to make sure revenge is indeed sweet.