Passively facing the repression imposed by military dictatorship in 1960s Brazil, a journalist enters a personal crisis, aggravated by his affair with an industrialist's wife, who doesn't want to leave her home because of her son.

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

In the 60's Lúcia McCartney is a call girl who is a fan of the Beatles. A diplomat tries to get her out of prostitution by falling in love with her.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

Adaptation of Machado de Assis’s classic novel “Dom Casmurro”. Bentinho and Capitu are friends since childhood and end up marrying. But Bentinho destroys his life when he starts suspecting Capitu has an affair with his best friend and that his son is not really his.

In the village of Leva-e-Traz, the discovery of a oil field is responsible for a mass evasion of the townspeople. Left are the old and incapable for the extraction job. When the local priest announces he, too, is leaving the town, Satan emerge thrilled with the chance of overtaking the place.

Unhappy with what he'd got from life, Pedro Diabo becomes a dread outlaw, whom the police is looking for. In his life of crime, he has the love and support of a strange woman, Rosa Meia-Noite, chorus girl who likes to wear rich costumes in Carnival Balls.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.