Acting
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Alba and Martín embark on a trip to the southeast of Spain. They make a stop at an isolated farmhouse in the middle of the desert, whose esplanade is full of furniture and objects for sale. As they silently observe these relics belonging to broken relationships, they perceive the nostalgia for a feeling already exhausted, whose last throes show them that their journey is a flight forward.
A young addict attends an alternative therapy that will lead him to discover himself, his sexual identity, his acts from the past and their consequences in a journey through the darkest corners of his mind.
An American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in African art, arrives in the same hotel. The two meet in the hotel's abandoned restaurant and decide to set off in finding an evening meal, which becomes problematic immediately when the Brit reveals he is vegetarian. While following their pursuit of a mutually acceptable meal, the main point of the film is their discourse en route to their various attempts at an eatery.
Fernando, lives in the heart of Barcelona's Chinatown, which seeks life peddling amphetamines and alternating with a peculiar gallery sinister characters. In one of those sunrises stolen life, Fernando meet Elsa, a young teenager, fresh and lively, with a passionate and self-destructive personality who unwittingly become the most addictive. Together they try to survive in a shadowy villain and Barcelona at the end of the day is taken by the renegades of society and their particular codes.
Nandi, Grabi and Rober are three unemployed 30-year-olds living with their mothers. They pass their days sitting on a bench waiting for something to happen.
The star-crossed romance between an ex-jailbird and a junkie.
The murder of a wealthy couple shocks public opinion, with the eldest son accused of killing his parents. Condemned beforehand by the press, he needs to prove his innocence.