Directing
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Drama based on life and love of a famous Danish writer Hans Christian Andersen.
A retired Georgian film star, used to playing heroic leads, embarks on a cathartic odyssey after being offered a supporting role of an unpleasant elderly man.
The film tells a strange story, in flashback, about a British Telegraph Company’s engineer named Hughes appearing in a distant Guria village. Falling in love with the beautiful Anna, the Englishman became the enemy of her brother, Bolshevik Nestor. Both Hughes and Nestor were shot dead by Lavrenty Mgeladze, who had once had everything, but later was dispossessed and driven out of the village. The old Anna told that story to a young composer who recorded the music: “My dear homeland, why are you weeping?…”
Datho (Merab Ninidze) has been innocent in prison for many years. When he comes home nobody wants him. His angelic wife Elene (Anna Antonowicz) has fun with a fire-eater. The two children imagined the father as a hero, not as a sorrowful knight. But everything changes when Datho can freeze his enemies in the bathtub or he calls for rain so that they remain stuck in the mud.
In modern-day Moscow, disaffected former journalism student Roman follows a cryptic invitation to join “the elite” and finds himself forcibly transformed into a vampire. But not your typical creature of the night. Thanks to a parasitical worm known as the Tongue, Roman (now called Rama) has become part of a ruling class of vampires who exercise an “anonymous dictatorship” over humans based not on a thirst for blood but the hunger for money. As various instructors school him in the ways of their elite breed, and Rama explores his new supernatural abilities, he begins a tentative relationship with another newly turned vampire, Hera. His desire for more knowledge about this intoxicating new world also leads him into potentially deadly conflict with Mithra, his mentor who becomes his nemesis.
A young woman's passion has a remarkable effect on a Russian village in this comedy-drama with fantasy elements. Sybill is a teenager who is sent to a small town in the country to spend the summer with her aunt. Despite her tender age, Sybill is ripe and sexually aware, and while the initial object of her attention is Alexander, a widower in his early 40s, she instead pairs up with Mickey, Alexander's teenage son. Mickey quickly becomes infatuated with Sybill and is more than happy to indulge her fondness for outdoor lovemaking. Between Sybill's carefree, youthful sensuality and the appearance of Emmanuelle at the local movie house, suddenly love and lust are in bloom all over town.
A group of Russian noblemen want to maintain the monarchy and plan to kill Rasputin.
With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.
Two young students - Sonya and Ippolit - are spending their holiday time in sunny Greece. But not everything is going as planned.
18 directors, 18 novels, 18 short stories about Moscow...
The war is over, but instead of happiness and joy Alexei Ivanov feels bitterness and fear. We have to go home, but do his children remember him, whom he left as kids?