Struggling against the totalitarian regime of occupied Soviet Latvia, a talented young doctor is stripped of her career, her joy for life, and even her maternal instincts.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.

A police officer and his family arrive at their countryside home in a grim mood and unexpectedly meet Santa Claus. The children drag Santa into their scheme to save the family, while their parents start preparing for the celebration, unaware that the friendly Santa is in fact an escaped prisoner.

A young director, who sits in front of a commission defending a film based on her own experiences with sex and relationships, is continually confronted with questions about why she’s making the movie. The answer doesn’t come easy… Linde took on a difficult task for her short film.

15 August 1990. Viktor Tsoi, the Soviet Union’s most famous rock star, leader of the band Kino, a symbol of freedom and change, dies in an accident on a Latvian highway. The bus driver who was involved in the tragic accident will bring his body back to Leningrad. A party of mourners – Tsoi’s wife and her new boyfriend, his mistress, his producer, his young son and an obsessed photographer – are part of the trip back. This is going to be a long trip, the perfect occasion for an agonizing unravelling of love, jealousy, ambition, and greed.

Three unrelated sci-fi stories that depict people’s search for happiness.

A man arrives to a flat to start living there, only to discover a young woman with a child already present in the flat.