Set in the 1800s when Napoleon’s French ruled Europe, the film follows young Austrian carpenter Franz and his Bavarian wife, Katharina as an unforeseen event forces them to flee from Augsburg, Bavaria for Franz’s family home in Tyrol, Austria. Tyrolian sentiment is rising strongly against Napoleon and trouble is stirring. In no time it sweeps up Franz and his brothers along with the whole town.

Lena, 17, is restless and desperate. In a few weeks she will finish school, but she doesn't have any definite plans for her future. She wants to make music, that's the only thing she knows. Will she be able to resist the pressure that comes from the people around her - parents, teachers, and society? Will she make her way?

Young Lena Kehl urgently wants to speak to the Berlin star reporter Meike Marndorfer, but is then driven to her death. Meike senses a story about old Stasi machinations and investigates in Lena's home town of Neubrandenburg. Together with Lena's boyfriend Robert, she discovers something that shakes up her life.

Germany in 2020: the state social security systems have been dissolved and will be regulated purely by the private sector from now on. The insurance group TRUST.Wohltat is at the forefront. Well-heeled customers take out pension contracts by buying a "genetically clean" person - a so-called talent - and having them work for TRUST.Wohltat for a good return. 28-year-old Luca Permann is one such talent. His owners order a child from the company - bred from Luca's genetic material. They choose Hannah Bitlik, a young, genetically clean woman, as the surrogate mother. When Luca is confronted with the fact that, contrary to all expectations, he has a genetic defect, he begins to doubt himself for the first time. The child is to be aborted, but Hannah refuses and breaks off contact with TRUST.Wohltat...

Niko, a twenty-something college dropout, lives for the moment as he drifts through the streets of Berlin, curiously observing everyone around him and oblivious to his growing status as an outsider. Then on one fateful day, through a series of absurdly amusing encounters, everything changes.

In 1984 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.

'Sunday Girls' is a portrait of four young German actresses: Laura Tonke, Nicolette Krebitz, Katharina Schuettler and Inga Birkenfeld. They are members of a new group of young actresses who try to put their passion for films into practice, away from the mainstream TV market. Their individuality and their will to remain independent is what makes them so interesting... their luck, their fears, their goals, the things that life is made up of... "Of course I'm a little in love with them, that's how all films start." (director RP Kahl)

Michael Schröder is the owner of a fitness studio that is not running. His marriage to the aristocratic and wealthy lawyer Elisabeth also only exists on paper. She lives out her love affair with lover Cornelius openly, but a divorce is unthinkable for Elisabeth for reasons of reputation. Because Michael is up to his neck financially, she gets him a loan. When he arrives at the bank, he is taken hostage during a robbery. The masked bank robber turns out to be a female bank robber. Nina seems aggressive, tired of life and unpredictable. The grueling wait for ransom money and a getaway car eventually turns hostage and hostage-taker into a fated couple. Michael even knows who they can demand more money from. But then everything gets out of hand.

Nora walks out on her husband Philip and their two children without a word of explanation. She’s driven by an irresistible force. She wants to be free.