Four female convicts break out of prison, and during their escape they take hostage a bus full of young female tennis players. They drive the bus to the house of the judge who originally sent them to prison, where--since this is after all a women-in-prison picture--the hostages undergo various forms of physical and sexual abuse in various degrees of nudity.

Annie, the mistress of a middle-aged financier, accompanies him on a trip to Hong Kong. When his business interests collapse Annie ends up destitute. She is befriended by a group of socialites and begins her rite of passage in their world.

A group of American tourists is traveling through Spain when two of them are murdered by a mysterious serial killer who removes an eyeball from every one of its victims. The tour presses on as the murders continue, with the travelers and the police trying to deduce which one of them is the killer.

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

A wife tries to deal with the recent death of husband and her rebellious daughter who is at constant odds with her. One day a friend of her deceased husband enters her life. The wife and her husband’s friend quickly form a bound which further puts her at odds with her daughter who sets her sights on seducing her father’s friend.

In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.

Nicola Salluzzi is the owner of an insecticide company and his teenage son Simone has the habit of sleeping with his female employees.

A rich older man dies during a massage (you see, uh--never mind). His young widow (Lucrezia Love) decides she needs some male help in managing her deceased husband's estate (for some reason she doesn't ask the family lawyer who she spends all her time rolling around in the hay with), so she summons her younger step-brother to come stay with her and her "little stepdaughter" (Gloria Guida). Of course, Guida's character ends up being attracted to her new "uncle" and plots to get "his bird in her bush" by, among other things, arranging for him to witness a steamy lesbian encounter between her and a friend in a, uh, steam room. To resist this temptation, the "uncle" marries Guida off to another guy while he in turn marries her friend, but they still can't resist each other.

The Survivors of the Bounty

Countess Elena marries the charming Guido Rambaldi, only for him to be seduced by dancer Nara during their Venice honeymoon.