Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

Adaptation of Mór Jókai's classic 19th century novel on Mihály Tímár, the captain of a commercial Danube ship in the 1830s, who finds unexpected fortune by meeting a Turkish aristocrat fleeing from his home country with his daughter Tímea. On their journey, they find an unknown island on the Danube, called the Senki szigete (the Island of No-one), a sort of earthly paradise, with only an old woman and her young daughter Noémi living on it.

"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.

A man changes his behavior according to the term of the year.

The suburban school is totally bankrupt. When all hope collapses, Makkosi, a teacher resigned to the disappointing situation, and Annamari, a pretty French teacher, end up in a casino in Szentendre. They are surprised to discover that Makkosi can predict the winning numbers at roulette. The maths teacher is unimpressed and when her love seems to be on the wane, she puts all her eggs in one basket: to save her life, her love and her school. His mad plan is to multiply the school's meagre funds in the Monte Carlo casino.

Torday Géza, a new engineer arrives at the ammunition factory disguised as if manufacturing camping gears. His appearance upsets existing patterns. The director sells the products at a low price in the West. In the meantime diversionaries attempt to destroy the plant. It turns out that Torday is a man of the intelligence built in among the reconnaissance people, as is his childhood lover, Magda. Agents and policemen play the game.

Gráci has been recently released from a reformatory school. His old gang would like to involve him in a new action, but he hesitates. His past record is bad enough already, and he would not like to get into new trouble.

Baradla Géza, war criminal, returns after 25 years, with his ex-accomplice, Obrád Simon, to the village where he burned houses with people inside and executed partisans. The ex squad-leader is chased to this place by his "heroic deed" and the memory of his love. Like a maniac, he wants to forgive the village residents for having killed six of his soldiers.