Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

A Pickup truck runs through a road in the rural Galilee. A cow crosses the road. The driver hits the breaks. Just in time. Or maybe too late. Nothing will be the same again. He tries to return to his old life, his home, his wife; but all that was hidden beneath the surface is now out in the open. Death is everywhere, in his chicken coop, in his marriage, inside of him. With three chickens on his shoulder and a forged Louis Vuitton suitcase he leaves for the outdoors, in order to find either his life or his death.

Thirty-eight-year-old Alice spends her days sleeping. Working nights at a rehabilitation center provides her with an excuse for her fatigue and emotional apathy. Yigal, Alice’s husband, feels lonely and tormented by her chilly attitude, while his anger gradually heightens. Eli, her nine-year-old-son, is desperate for her love. The rehabilitation center houses thirty young women who have suffered emotional crisis. Alice prefers as little communication as possible with the girls and performs only the basic demands of her job: handing out medication, supervising meals, and overseeing shower time. After the lights go out, Alice meets with Yoel, her lover. On the narrow single bed, a passion for another kind of life, or for what might have been, is aroused.

With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.

2020. Corona era. A journalist with an opinion column who receives hateful messages and threats on his cell phone tries in vain to reach his autistic son who lives in a hostel. His daughter went to protest in Balfour and is not answering the phone. He and his wife go to look for her at the demonstration and try to repair their relationship.

A childless young ultraorthodox couple faces a crisis after a traumatic treatment for barrenness. When the difference between good and bad is unclear, the family must deal with unresolved secrets that raise fundamental questions about religion and faith.

Mira Segal wakes up screaming one morning to discover that her husband has disappeared. The police open a Missing Person file and advise her to wait. As weeks turn into months, Mira continues to search for him while exploring her own desires and the guilt of not wanting him back.

A lonely middle-aged woman divides her time between her monotonous job at the supermarket and taking care of her disabled mother and estranged family members. The mysterious murder of the head cashier at the supermarket, sends her on a journey into the depths of her repressed desire revealing her deep longing for warmth and human connection.

A family in Jerusalem is torn apart by the mysterious disappearance of their father after a tragic a car accident.