The film tells of faithful devotion to spiritual ideals. It is based on Riga St. Anna Stocken's Life Story of the Cistercian Monastery of Mary Magdalene.

In the mid – 1960’s, Latvia was a part of the Soviet Union. People lived identical lives, listened to the same radio stations. Children wore the same boots and ate the same porridge every morning. Only their dreams and desires for something different set them apart from each other. For little Dace this is a moment, where stand still of childhood’s happiness turns into time for growing up. "A fullfilled expression of Beauty in the passage of Life." (Dmitry Rancev, "The Independent", Latvia) "Competent and Spartan…" (Jan Ingman, catalogue of "Stockholm IFF")

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

A love triangle - a terminally ill university teacher, a blind girl and a young bard. In the background of it all - the wild arrival of the capitalism, political conflicts, city life and the beautiful nature of Latvia. In the end love will conquer everything, though not everybody will live to witness that.

A family film based on the book Bille by Vizma Belševica. An extraordinary, lonely yet spiritually strong little girl attempts to comprehend the adult world, which in her eyes is very contradictory, and to prove her own value despite the ignorance and lack of appreciation by her family in late 1930s. Bille tries to find an escape in her vivid imagination.

A homage to Krišjānis Barons and his life's work – to collect and catalogue Latvian folksongs or dainas,thus creating the encyclopaedia of Latvian life, a poetic reflection of the knowledge of life accumulated over the centuries. The film is based on Krišjānis Barons' life during late 1800s and early 1900s – his childhood and youth in Latvia, studies and work in St. Petersburg and other places in Russia, his relationship with his faithful wife Dārta, and the awakening of the Latvian self-awareness.

According to the story of the same name by Vladimir Makanin. Mitya Rodiontsev, a young employee of the research institute, for some time now became one of those who were in the close circle of the secretary of the director Aglaya Andreyevna and felt well protected from the vicissitudes of fate. Having become a “retinue”, Mitya was no longer engaged in science, but was busy for those who needed him, openly respected him and saw him as a future leader. But once Rodiontsev was not invited to the director’s office for a weekly tea party...

In this movie (based on a true story) within a movie, a director tries to film the tale of an old KGB activist living in a parish house. In the summer of 1941 the activist tortured and killed Latvians in the cellar of the house. Although the old man hires others to brick over the cellar door, the murdered people keep coming through the stones and never leave him in peace. Unbeknownst to the film makers, the "real" KGB activist, now an aged drunk, is milling about the film set. Moreover, the director and lead actor are competing for the love of the lead actress, and the film's producer wants the director to re-shoot parts of the movie.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.