A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

Reflecting on the premature death of a young dancer and artist, Heaven or Montréal points to unfinished ideas, creating "outlines" of lost energy and imagination. As a finale, it summons all its desperation and asks for silence to speak and stillness to dance. Ian Middleton, its co-author, died in 1993 of AIDS related causes.