An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.

When they find one another by chance in the middle of the woods, old friends Zach and Ellyn seem smiled-upon by the gods of summer, fated for a carefree season ranging across hills, lakes and forests. Gradually, however, their charmed reunion is distorted by an unseen but ever-expanding presence. Are they hidden in a quiet glade after all, or perched on the tip of the universe, buffeted by cosmic winds? Directed, shot, and edited by Ian Clark, A Morning Light finds a new mode for the sci-fi thriller, one of insomniac watchfulness. With its eerily precise photography and uncanny soundscape that pulses, rumbles, and roars behind sedate scenery, it poses the otherworldly as something very near, something embedded in our own eyes and ears. — Jon Kieran, New Orleans Film Festival

A pseudo-western adventure film about two klutzy criminals whose delusions of grandeur lead them sky high.

A loving portrait of small-town America, sun-filled days, and easy livin'.

A sesh with the boys would make dad glad. But if dad can't get rad, then will he be sad?

A sesh with the boys would make dad glad. But if dad can't get rad, then will he be sad?

A reclusive man lives out his days exploring the surrounding landscape and collecting discarded treasures, spending most of his time in isolation until he meets Bonnie.

A young landscape painter navigates a fleeting relationship.

An inter-dimensional fever dream about DMT and the margins of human perception.

When they find one another by chance in the middle of the woods, old friends Zach and Ellyn seem smiled-upon by the gods of summer, fated for a carefree season ranging across hills, lakes and forests. Gradually, however, their charmed reunion is distorted by an unseen but ever-expanding presence. Are they hidden in a quiet glade after all, or perched on the tip of the universe, buffeted by cosmic winds? Directed, shot, and edited by Ian Clark, A Morning Light finds a new mode for the sci-fi thriller, one of insomniac watchfulness. With its eerily precise photography and uncanny soundscape that pulses, rumbles, and roars behind sedate scenery, it poses the otherworldly as something very near, something embedded in our own eyes and ears. — Jon Kieran, New Orleans Film Festival