Durul is actually a solid, traditional, nationalistic, honest, brave, helpful young man who is the same on the inside as he is on the outside, but years ago, while trying to help a seriously injured stranger on the street, he ends up getting caught. By the time he served his sentence, he had missed his chance at education and never acquired a profession—in other words, he had "missed out on life." The only thing he learned inside was the "Code of Honor for Young Men." His name had become "The Killer," and he had already paid the price for it. Therefore, using this capital to survive in this world had become a necessity. If the powerful have taken control of the corners and the rules of the game are set, then at the intersections of those corners, they will inevitably encounter Deli Dumrul at the head of every bridge.

As dismembered legs begin appearing across Istanbul, Commissioner Fatih and his partner Doruk—a U.S.-trained forensic psychiatrist—race to catch the killer, even as Doruk’s wife Beyza, haunted by mysterious blackouts, discovers a chilling connection between her missing time and the victims.

During the Sarikamis Battle, the Ottoman army runs out of ammunition and appeals to the people of Van for help, who happen to have supplies. However, the First World War is on and all men are fighting at four corners of the empire and therefore can not respond to to the appeal. The young children of Van want to do something...

Muhammet Arslan is the director of Kanlı Postal, which brings the events that took place in Diyarbakır Prison on September 12 to the big screen. The script, which was written after interviewing prisoners who were subjected to torture during that period, uses the real names of the characters. The film, which focuses on the prisoners tortured by "Captain Esat" while serving at Diyarbakır Prison, stars Mesut Akusta, Turgay Tanülkü, Nevin Efe, and Mihriban Er in the lead roles. Muhammet Arslan, who began filming in 2012, also serves as the screenwriter for the same film.