Year 2000, Samsun... Uğur takes a minibus home. When he shudders, there’s a flash-back with his daughter Berrak’s voice with song of the eighties playing on the radio. Uğur, now working as a machinist in Sivas in 1980 tells his wife Handan that he got a promotion and was assigned to Divriği which meant they had to move again. However, they got a lodging and that’s a good news. Her neighbors mention about Alawite people living in Divriği and this makes Handan worried. After they arrive to Divriği, they can’t find a place to live since the lodging was still occupied. They begin to live in the reserve railway car. Handan is in poor spirits because of their Alawite neighbors, dangers caused by the railroad and not to be able to move to the lodging. After months of waiting, they finally move but the new developments would take them to a different point in their life.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

Ankara, 1999. Arzu takes one call after another in the sex call centre where she works. When an earthquake hits Istanbul, a young client she spoke to earlier phones her back, begging her to rescue him from the rubble.