It was Pakistan's one of the earliest experimental feature films. It had experimentation by the film director with the Freudian sensual themes which was very unusual for Pakistan at that time. So the film received a 'for adults only' rating. In this film, actress Komal had a really interesting foray into the parallel cinema. She portrayed the sensual play thing for actor Mohammad Ali.

Film starring Zeba and Allauddin

A Pakistani musical romance drama about love, loyalty, and emotional conflict within a family. As Naila prepares for marriage, changing feelings and strained relationships begin to test the bonds around her.

A lone foreigner arrives in Saudi Arabia and treated with generosity and hospitality by the Arab tribals. But the guy (named Lawrence) has insidious motives. He has his eyes on the oil deposits deep under the Arab territories, which the Arab chieftain opposes vehemently. With cunning and duplicity he manages to overthrow the chieftain, and gets his way with the blessings of the incumbent ruler. He sets up an oil drill and refinery, and exports the oil to foreign countries while paying a token amount of cash to the Arab ruler. He also colludes with the local Jews and uses a popular cabaret dancer named Laila to get her followers and fans hooked on opium. But an Arab blacksmith named Haris has been on to Lawrence, and plans a resistance with the exiled former chieftain.

Habu (1961) is notable as Pakistan's first "jungle film," directed by Rahim Gul and released on April 28, 1961. Starring Husna and Habib, with a story set against a jungle backdrop.

A Pakistani man goes abroad his country for earning money.

Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region

A poor artist falls in love with a rich girl, and their relationship is tested as he chases success and starts to lose sight of what really matters.