Mansoor, a feared bandit who falls for Husn Pari, the sister of a tyrannical caliph. After taking shelter with a merchant, he’s pursued by the merchant’s daughter Meher. Torn between love and guilt, Mansoor faces betrayal, loss, and a final choice between his past and redemption.

A neglected wife, Indira, schemes to win back her philandering bank manager husband, Bihari. She uses an unwitting musician, Madan, as a pawn, making him fall for her until her husband's jealousy is ignited. Once Bihari returns, Madan is quickly married off to the daughter of a poor clerk, Mohan, to neatly tie up the loose ends.

A cruel uncle usurps his niece's inheritance, but a kind doctor and his wife help her reclaim it. Their lives intertwine with betrayal, a scheming dancer, and ultimate vindication, proving that providence always intervenes.

A captivating social drama featuring Husn Banu and Surendra. Dive into an early glimpse of Indian cinema's exploration of societal themes.

A rich, fatherless young man named Vijay faces betrayal when his greedy brother-in-law, Kampta Prasad, plots to seize his inheritance. Led astray by city life and losing his fortune, Vijay's struggles are silently supported by his devoted sister. But when Kampta Prasad sets his sights on Vijay's childhood sweetheart, Dulari, a vengeful Vijay returns, ultimately becoming a brilliant eye specialist who holds Kampta Prasad's fate in his hands. It's a gripping melodrama of deception, resilience, and poetic justice.

Aasra revolves around the life of Chanda (Sardar Akhtar), a sweet girl, who runs away from her house after her forcefully arrangement of marriage and meets with Chandan (Amar), a kind man in train and pretends to be married and worked in a Hotel. However, she meets with him again to save her life from an evil man and he pretends to be her husband. But they fell in love after an accident and this causes chaos and complications leading to consequences.

Two sisters, Iqbal and Sharifa, battle for control of a kingdom. Iqbal wins, persecuting Sharifa, who is supported by Iqbal's husband. When Iqbal captures her brother-in-law, he stands firm in his ideals. The treacherous general's daughter, Bano, champions a pacifist campaign after losing her lover. With the help of the adventurous Nadia and Parsee Charlie, disguised as dancers, they infiltrate the enemy.

The Wadia's, remake of Homi Master's 1932 silent film is a Ruritanian drama mainly featuring the stunts of the horse Punjab-Ka-Beta. Good King Mansingh (Tarapore) is dethroned by evil minister Zalim Singh (Khambatta). Princess Hansa (Husn Banu) transforms lover Prince Randhir (Sarda Mansoor) from an easy-going youth into the masked Hind Kesari, saviour of the poor.

The master criminal Ramdas (Sayani Atish) arranges a theatrical performance, supposedly to raise money to aid an ashram for widows, but which in reality is just a ruse to abduct a college girl named Chandrakanta (Husn Banu) who is the daughter or the wealthy Kundanlal Seth (Jijibhai).

Hansa, daughter of Veer Singh, escapes an attack on her family by the villain Zalim Singh in which her mother is killed, her father injured and her sister Padma abducted. Growing up as a Harijan (an untouchable) she transforms the word to 'Hurricane', dons a mask and overthrows Zalim. She falls in love with Zalim's good son Diler. The horse Punjab-Ka-Beta features in its usual key role, rescuing Hansa when she hangs from a cliff, leaping over a wall of fire and aiding the love angle by nudging Diler into the pond where Hansa is having a bath.