Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.

Damiana, a girl who has grown up with her grandfather and a friend, is discovered by photographer and launched as supermodel.

The classic story of the Red Riding Hood spiced up by a couple of funny characters like the dog Duke, companion to the girl in her adventures, and the stinky Skunk, henchman to the Wolf.

The film continues the outrageous antics of its eccentric patrons and staff, blending slapstick humor, misadventures, and love triangles. As the bar faces more outrageous situations, the characters find themselves in increasingly absurd and funny circumstances, maintaining the lively spirit of the previous films in the series.

(Sequel to El Rostro Infernal.) Count Brankovan, a vampire, returns from the dead to avenge himself himself on some humans who previously had been bugging him.

A taxidermist decides to murder his wife after having to put up with her after twenty years of hellish marriage.

Tomboy grows up, overalls to frilly pastel dresses. And even a husband.

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.