The COVID-19 pandemic kept dancers from the Paris Opera away from their rehearsal studios and the stage for many months.

Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

In the main courtyard of the Palais des Papes, dancers Hugo Marchand and Caroline Osmont perform among Jean-Michel Othoniel's works, choreographed by Carolyn Carlson. A powerful show, accompanied by music by Philip Glass and René Aubry.

In Restoration-era France, the ambitious Julien Sorel rises through society thanks to his intelligence, charm, and determination. Torn between Madame de Rênal and Mathilde de La Mole, he becomes entangled in passionate affairs, political intrigue, and religious conflict that ultimately shape his tragic fate. Inspired by Stendhal's classic novel, Pierre Lacotte transforms Le Rouge et le Noir into a grand three-act ballet set to an anthology of music by Jules Massenet.