The film was an epic portrayal of the life of Catherine the Great of Russia.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

An adaptation of the eponymous novella by Jeremias Gotthelf.

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

Johann Strauss helps the business of a Viennese wine merchant and his daughter by showing up to conduct the orchestra at a party.

A French woman promises her hand to the destroyer of a Prussian spy in the French ranks. Directed by Emil Albes.

Slapstick farce about a man who falls in love with a circus woman.

Zirzi witnesses the murder of Professor Wormser.