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The majority of films made before World War II are missing. They have rotted, or destroyed accidentally or on purpose. Horror classics like LONDON AFTER MIDNIGHT might be gone forever. Many other films are presently in danger of decomposition. LOST EMULSION tells that story, and the story of film restoration. Discover the plight of the lost films like the Edison Frankenstein, the work of Theda Bara, Lon Chaney, Wallace Reid, Joan Blondell, Raoul Walsh and more. Learn firsthand what The Library of Congress is doing to preserve our film heritage.
This documentary short takes you inside the fascinating world of film preservation and restoration.
Documentary recounting the life story of Louise Brooks in 5 sections: "Lulu in Toe Shoes"; "Lulu in Hollywood"; "Lulu in Berlin"; "Lulu in Hell"; and "Resurrection".
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.
The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.