Directing
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For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil’s Island penal colony.
In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.
An account of the days of First Lady, Jacqueline Kennedy, in the immediate aftermath of John F. Kennedy's assassination in 1963.
Herve, the head of a press agency, is traveling fast down a road headed in only one direction: self-destruction. He is an alcoholic, and his drinking is wrecking his marriage, family and career. In desperation and still in denial, he checks into a detox clinic in Geneva, his last-chance saloon. There he meets a group of fellow sufferers and one person in particular, a young woman named Magali, who help him to see life other than through the bottom of an empty bottle.
In 1977 France, tightfisted factory owner Robert Pujol is so shocked when his workers strike for higher wages that he suffers a heart attack. His acquiescent wife, Suzanne, whose father had founded the factory, takes over management duties during Robert's convalescence.
A comedy set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.
This is the story of a guy who goes too fast and a big guy who is too slow. Foster meets Taupin. All this would be trivial if one of them had a scary scenario, the scenario of their lives and their deaths. Just open the pages and shake.
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
The twilight of a sacred monster, Jules Maugin, an actor at the height of his glory. Beneath the famous personality, the big mouth, and the social shell, lies the intimate portrait of a man laid bare.