France's rural wasteland. Mika and Dan have big dreams but little luck. Cornered after another blunder by Dan, they end up working for Tony, their best friend, who's now the king of construction. Mika and Dan need to find a way out of here, a way out of trouble – simply a way out.

France's rural wasteland. Mika and Dan have big dreams but little luck. Cornered after another blunder by Dan, they end up working for Tony, their best friend, who's now the king of construction. Mika and Dan need to find a way out of here, a way out of trouble – simply a way out.

Pierre, in his thirties, is a breeder of dairy cattle. His life revolves around his farm, his veterinarian sister and his parents whose livestock he took over. As the first cases of a zoonotic outbreak are reported in France, Pierre discovers that one of his animals is infected. He cannot cope with the perspective of losing the whole herd. They are everything he has and he will do whatever it takes to save them.

Pierre, in his thirties, is a breeder of dairy cattle. His life revolves around his farm, his veterinarian sister and his parents whose livestock he took over. As the first cases of a zoonotic outbreak are reported in France, Pierre discovers that one of his animals is infected. He cannot cope with the perspective of losing the whole herd. They are everything he has and he will do whatever it takes to save them.

Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.

Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.