A hidden gem produced at the height of the Hong Kong left-wing cinema. The Japanese army wants to force resistance leader Cheung (Bow Fong) to appear by capturing his family. Cheung's wife dies and, despite the protection by the nurse Yeung (Chu Hung) and other villagers, Cheung's daughter is captured. In the end Cheung's subordinate Lee Fu (Jiang Han) regroups with the resistance and saves the day, defeating the enemy and rescuing everyone. This film clearly references wartime productions in the mainland of China, with elements such as the Japanese taking hostages, resistance guerilla fighters, and the contrast between ‘heroes' and ‘villains' made obvious through camerawork and make-up designs. Street scenes shot in Macau merge seamlessly with studio scenes to recreate northern Chinese towns. War epics were not a strong suit of Hong Kong cinema. This film takes inspirations from Euro-American spy films and pays attention to character development and the mise-en-scène.

A troupe of comedians, including midgets, provide entertainment and kung fu trouble for the villains.

The lovely Fire Pheonix comes to the rescue of a young man who is the last survivor after his family has been killed. The entire Martial Arts World is dragged into the ensuing turmoil. Ambushed at every turn, our heroes must find a clue to the murders. Who is friend? Who is foe? Who is behind this fiendish plot? What mysterious kung fu will the enemies unleash next?

A penniless bumpkin from the country who fights his way to quick riches in the city as an enforcer for a textile factory that's threatened by a competitor.