Ken Loach production for The Wednesday Play, reflecting contemporary debates surrounding the abolishment of capital punishment.

Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

A lady ringmaster milks the publicity from a string of murders.

After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.

A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.

In Liverpool, Joanne Conlon rescues a weeping statue of the Virgin Mary from her local church's replacement plans. As her family faces financial struggles and newfound success, the statue's tears return, turning their lives upside down and drawing crowds from near and far to witness the miraculous phenomenon.

An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her as the representative of the Devil on Earth.

A mother and daughter hatch a scheme to murder their family's domineering and sadistic patriarch.

In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.