Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Wolfgang Wagner's Bayreuth production of his grandfather's 'farewell to the world'has 'an unusual beauty and logic of its own ... with a double stress - on nature undefiled and on a form of religious symbolism ... There is an air of magic and mystery about the staging ... The performance was excellent ... Horst Stein conducted a beautifully proportioned Parsifal'. New York Times