Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

When the Tehran rain rocket launches from the winter of 1366, members of the crowded family, almost all of whom are violent and dissent, to prevent hostile attacks by their mothers living in the villages in the outskirts of Tehran. A village whose main source has become a place of residence for warlords. Establishing this family in the garden and its neighbors to the peoples living in the climax, makes families understand families and understand them about each other's problems and the roots of their differences. They find out during the adventures that they are capable of helping each other and ... But the central core and the role of the story of an adolescent called Amir is that many things are happening to him and different stories that the other members of each other in parallel to the story before win ...

Mahmoud is a computer engineer, chemical warfare veteran with cancer. One night as they were walking down the street, they noticed that two motorcyclists had stolen the bag of a girl named Shiva and disturbed her. Mahmoud gets involved with them and…

Rasoul who works as a teller in a bank, lives a simple life with his wife, Zohre, and their daughter. Until one day, he has a road accident with a wealthy woman named Batoul and her son. Rasoul takes them to the hospital and they soon realize that Batoul has gotten amnesia ...

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.