Hong Kong 1972. Shiu Pang is a poorly paid photographer with a very jealous fiancee. One day he meet an innocent girl and he falls in love with her. His fiancee decides to give a lesson to the young girl by sending a bunch of youngsters beating her and things goes worse and worse, the photographer's best friend dies in fighting the gangsters and the girl loses his mind, ending up in an asylum.

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)

The psychotic son of a rich man continues to get away with raping young women, with the help of an unscrupulous lawyer. A journalist working for a women's magazine becomes involved when her friend becomes a victim. Because of her campaigning efforts, the journalist herself becomes a target of the vicious brat's attentions.

Two Chinese men go to Copenhagen for some reason. While one of them philanders around with various Danish and Asian women, the other falls in love with his Chinese tour guide, but takes time to have various drawn-out kung fu battles with a seemingly endless amount of thugs sent by his partner's overweight and very jealous girlfriend back home.

"Wild at Heart" is a love film directed by Ho Fan and Qian Wenji, starring Shen Guanjun, Yang Yijia, Weng Xuehua, Liu Zhi, Xu Zhen, and Chen Zihong. It tells the story of a lascivious man carrying his wife around to provoke flowers, which was finally exposed and tortured by four women.

The setting of the Black Brick Castle that harvests poppy seed. But times are tough as the wait for a ship that is picking up the latest batches has either been intercepted by robbers or won't come at all and the boss of the castle, Chen Tsao, once was part of the robbing gang before inheriting the family business slowly loses his mind. Despite the copious amount of concubines around him, he is not able to impregnate a woman. and he made Chen Mao, a worker impregnate a concubine to have a heir. His father's outgoing ways with several concubines and opium smoking, seems to somewhat stop at him. But worldly circumstances possibly having to do with poverty and famine outside of the castle walls doesn't make matters stop at him to turn around in a positive way. On the other hand Chen Mao, has an eye for one of the female workers who is married to abusive Kui Kong who thinks she brings bad luck to him, although she struggles to raise her two children with this curse she's said to carry.

Caught between two entirely different women, an artist finds himself in conflict between the spiritual and the sensual, and at the same time lost creatively in the cultural clash between East and West. Based on Ho Fan’s 1966 experimental short Assignment, Part One, Lost depicts the artistic and carnal obsession of the modern creative mind. A departure from mainstream Cantonese and Mandarin films with European and Japanese new wave influences, it is shot with the colours of the 1960s and Lishan, Taiwan as backdrop. Sun Po-ling, an artist in her own right, co-directed and invested in the film, acting also as producer and make-up artist. She took the film to premiere in Cannes in 1970 and then screened it in Germany and the United States, while her ambition to release it locally in the foreign films theatre circuits did not materialise. Lost for half a century, this pioneering independent feature in the 1960s resurfaced in a print found in Taiwan by Reel to Reel Institute (Hong Kong).

Caught between two entirely different women, an artist finds himself in conflict between the spiritual and the sensual, and at the same time lost creatively in the cultural clash between East and West. Based on Ho Fan’s 1966 experimental short Assignment, Part One, Lost depicts the artistic and carnal obsession of the modern creative mind. A departure from mainstream Cantonese and Mandarin films with European and Japanese new wave influences, it is shot with the colours of the 1960s and Lishan, Taiwan as backdrop. Sun Po-ling, an artist in her own right, co-directed and invested in the film, acting also as producer and make-up artist. She took the film to premiere in Cannes in 1970 and then screened it in Germany and the United States, while her ambition to release it locally in the foreign films theatre circuits did not materialise. Lost for half a century, this pioneering independent feature in the 1960s resurfaced in a print found in Taiwan by Reel to Reel Institute (Hong Kong).

Haunted by her past, an ailing young woman who recently lost her mother and the roof over her head is reluctant to accept the generosity of an older man who fell out with his own daughter whose affair with his boss's son cost him his job; her reasons are revealed only after her death and when the past is dredged up. Based on Fyodor Dostoyevsky’s Humiliated and Insulted, the film was filmed and distributed in Taiwan however was not released in Hong Kong. It is Ho Fan’s first attempt to fulfil his vision for an art house production in mainstream cinema which breaks the mould by mixing the nuance of art films with popular culture in a confrontation between the old and the new. It was selected in the 1980s by Hsu Li-Kong, director of then Film Library of the Motion Picture Development Foundation (now Taiwan Film and Audiovisual Institute), as part of its permanent collection. (By Reel to Reel Institute)

A sex comedy by the Shaw Brothers studio.