Having failed to get into graduate school, with no girlfriend, no money, and no prospects of success with his band, Tsurugi's life has reached rock bottom. One day, after watching the video of Aya Matsuura's song “Momoiro Kataomoi”, he becomes obsessed with the idol singers of “Hello! Project”, and plunges into the idol geek lifestyle. However, as time passes, he and his buddies all find other things just as important as the idols and begin to move on.

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

Two people meet each other after missing the last train home, leading to a beautiful relationship over five years.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Amiko, a high school girl, adores Aomi to the point of nearly worshipping him. But one day, he runs away from home. Amiko's sometimes cynical, sometimes self-deprecating inner monologue goes off like vibrant stand-up comedy.

Shibuya in Tokyo, a city that continues to change due to redevelopment. At a house in the corner of Shibuya, Ai dreaming of a model, Mizuho working for the editorial department of a magazine, and musician Erika live together. This story is about the modest cohabitation of the three.

Tatsuya Ishii won the JFF Special Award at the Pia Film Festival Award 2018 for Subarashiki Sekai. Here, he chases the concept of true love through the self-documentary format as he revisits time spent with an old lover. They had been dating for two years and she was in a mental ward of a hospital after the breakdown of the relationship. Ishii recorded their relationship while together until it got too bad. Then, one day, after a call from her, he visited her house with a camera in hand and talked to her to find out she had lost two years of her memory.

Four unsettling short films exploring psychological horror: a man who barks like a dog at strangers, madness at a party, eerie phenomena following a friend's death, and a lakeside gathering cursed by water.

Tsukasa Kiriki, the only son of a wealthy family, runs away from home because he admires the legendary delinquent Murakoshi, who has helped him since he was a child. He runs away from home and volunteers to join the "BEAST", the strongest team in the warring tribes era, but is turned away and meets Yoji Kawanaka on his way out. Yoji, together with Hisao Nakamura and Eiji Iwami teach Tsukasa how to be a delinquent, and the four become friends. Toshi, the seventh generation of the weak “Gokurakucho” team, asks them to join him in his fight against the “Hiroshima Night's”. Trying to avoid a fight, former Knights executive Hisao goes to see the head of the Knights, Hiro, and is wounded. Angry Tsukasa and the others are ready for the fight, and the battle between the Knights and the Gokurakucho begins.