Melodrama by Kiyoshi Saeki

This horror tale adapts the Japanese legend which tells of a man who faces the consequences of betraying his wife in order to acquire wealth and power.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

Pinku from 1968.

Pinku from 1968.

Comedy-horror film by Masaki Môri.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.