Acting
Hiroshi Akutagawa (芥川比呂志) was born on March 20, 1920 in Tokyo, Japan. He was an actor, known for Where Chimneys Are Seen (1953), Gan (1953) and Tôkyô yawa (1961). He died on October 25, 1981 in Tokyo.
A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.
In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
A young woman, who must support her father as a middle-aged man's mistress, finds herself falling in love with a student closer to her age.
A Japanese woman writes down three stories she has witnessed or heard of in her diary, each about the difficult situation a young woman finds herself in.
Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.
This celebrated documentary, filmed in colour, depicts one of the most famous of all Japanese temples. Horyu-ji, in the small town of Ikaruga outside Japan’s ancient capital of Nara, was one of the first Buddhist places of worship established in Japan, and contains the oldest surviving wooden buildings in the world, dating from the seventh century.
Where Chimneys Are Seen focuses primarily on the interconnected lives of two couples in a lower-middle-class neighborhood in Senju, a poor industrial section of Tokyo.
Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.
Documentary on the city of Kyoto, Japan. Topics include the Ryoanji Temple stone garden, a geisha residence, the Katsura Imperial Villa, and the Gion Festival.
On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.