In the story, the seasons have changed and it will soon be the second spring. Tatsuya and Miyuki have finished their first year at First Magic High School and are on their spring break. The two go to their villa on the Ogasawara Island archipelago. After only a small moment of peace a lone young woman named Kokoa appears before them. She has abandoned the Naval base and she tells Tatsuya her one wish.

Iron Man enlists the help of ruthless vigilante the Punisher to track down War Machine's murderer. All the while, he's being pursued by S.H.I.E.L.D. agents Black Widow and Hawkeye, who suspect his involvement in a recent terrorist plot.

A travel writer on an assignment comes across a murder, tries and fails to chase down the criminal. He notices the corpse was switched for another one...

In the winter of 2117, a runaway vehicle crashes into the Public Safety Bureau Building. The driver is identified as Izumi Yasaka, a psychological counselor at the Sanctuary, a Latent Criminal Isolation Facility in Aomori Prefecture. But right before her interrogation, Inspector Mika Shimotsuki and Enforcer Nobuchika Ginoza are tasked with promptly escorting Yasaka back to Aomori. What awaits them there is a False Paradise.

2112; the summer before Akane Tsunemori was assigned to Division One of the Public Safety Bureau's Criminal Investigation Department. Teppei Sugo, an accomplished pilot of the Defense Army's 15th Integrated Task Force, joins the military operation in Okinawa. Three months later, an unmanned combat drone opens fire on the Ministry of Defense in Tokyo. Enforcer Tomomi Masaoka of CID Division One is dispatched to Sugo's military base to investigate the truth behind this case.

Kazuko Yoshiyama is a third-year junior-high-school student. One day, while cleaning the lab, she smells lavender and faints. From then on, she has the power to travel through time.

A university PR film produced on the occasion of film critic Shigehiko Hasumi’s appointment as president of the University of Tokyo. Natsume Sōseki’s Sanshirō, from which the Sanshirō Pond on the Hongo campus takes its name, intricately intersects with the contemporary university space. Scattered throughout are diverse cinematic techniques and motifs, while the enigmatic smile of a woman with a parasol lures viewers into a strange and uncanny world.