When seven malevolent spirits are unleashed to possess the tenants of a dying mall, it falls to a jaded ex-stuntman, his headstrong daughter and a would-be Daoist priest to stop the undead before they spread onto the streets beyond.

“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” Inside an after-hours bowling alley, a counselling session is underway with the attendances discussing the various merits and drawbacks of execution strategies and the prevention of occupational hazards. A man offers to play the flute and all hell breaks loose from there. The weapon is a folded chair, the victims his fellow professionals and the crime is predestined by karma. As the camera lingers on the gory actions, set to offbeat music and at times muted and occurring out-of-frame, a foreboding, dark and somewhat sinister overtone hangs heavy in the air. In a profession such as his, life is predestined by karma and choice is not an option.