Otto Dernburg is forced by circumstances to dress up as a middle-aged woman.

A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.

After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.

A wardrobe mistress at a Vienna theatre wins a competition, receiving as her prize a luxury tour round Italy. On the train she meets an impoverished young Italian who pretends to be a prince.

A 19th-century London cabaret singer is deported to prison in Australia. Her crime? Taking the blame when her lover bounces checks.

The title character in Maria Nover (Sister Maria) is played by Eva Szorenyi. A convent-bred lass on the verge of taking her final vows, Maria falls in love with a handsome artist, portrayed by popular operatic baritone Sandor Sved. Due to a silly misunderstanding, she walks out on Sved and marries his best friend Paul Javor. The frustrated suitor quits the art world to become a world-famous concert singer. Years later, he returns to reclaim Maria, only to find that she's not only still a wife, but also a mother and a dedicated nurse. Gracefully bowing out of her life, the Pagliacci-like Sved continues his singing career to assuage his broken heart.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

A romantic skirmish between an intrusive operetta tenor from the Berlin Theater and a revue diva in Barcelona, who later encounters him, initially unrecognized, as a ballet dancer and, after they marry, plays the role of a housewife to cure him of his arrogance and flightiness. He himself is no stranger to deception, but their joint stage finale is not far off.

Peter Kolle, a low-level clerk, and his wife Sabine have a happy marriage, but Peter lacks the necessary funds. Therefore, he secretly works on his invention at a friend's house at night. When his wife finds out, she angrily leaves their apartment and travels to Berlin to see her brother Alphons, to whom Peter had promised at their wedding that he would give up on the invention and to whom he had therefore given all the paperwork. Soon, they both long for each other again: Sabine travels home, Peter to Berlin. And eventually, they meet.