Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

A field commissioner tries to solve the problems of his village.

The protagonist commits a crime and abandons his brother, on whom the shadow of suspicion falls, to avoid punishment. In his escape he meets for the first time the emotion of a true love, but fatality takes it upon himself, pushing him back onto the criminal path.

A man feels abandoned because his wife is too busy with her incredible success as a lawyer. Because of this, he ends up falling into infidelity and showing certain contradictions in his wife.

A runaway bride poses as a married woman and mother of twins to woo a suitor who only falls in love with married women.

When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.

An italian man is unfairly imprisoned and his wife must work to maintain the family.

For over twenty years, an elderly man convinces his wife that their long-lost criminal grandson has changed his ways to become a successful professional and loving husband. When he learns of his grandson’s death, he decides to keep yet another secret and arranges for a false couple to pose as their exiled grandson and his wife. As the couple enters, uncertainties arise. Will they be able to convince her?

María has a powerful reason to hide the fact that she is Enrique's mother.