Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A short concerning an impoverished insurance salesman and his scrappy son, whose fisticuffs with the other boys of their village put his father’s livelihood in jeopardy.

During the Depression, a young man struggles to provide for his family after he is sacked for defending an older colleague.

In Depression-era Tokyo, a struggling middle-aged single father with a young son comes across a homeless young lady and convinces a bar owner to take her in.

After losing their parents, Eiichi and his sister Kikue are taken in by their aunt and uncle. Kikue is sent to Tokyo to work as a servant. Left alone, Eiichi wants a model airplane that a friend at school has, but finds found solace in reading the model-making instructions in a magazine that his sister sent him. One day, Eiichi gets into a fight and falls into a river, contracting pneumonia. Presumed to be a lost film.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Living Things a film by Heinosuke Gosho