Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.

Two men try to build their own house for the weekend.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

An enhanced and sentimentalized story of love, honor, rivalry, and retreat. The traditional laws of the patriarchal environment and severe conflicts of the heart. The action takes place in Herzegovina and Stolac, Bosnia. The film depicts the Bosnjak from a German point of view.

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.

The film "Die Unbesiegbaren" covers an episode in German history, in which the Bismarck government tried to mitigate the rise of the social-democrat movement.

Berlin 1952, seven years after WWII. Four women are looking for a good man and happiness in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny.

June Fifth ( Ger: Der 5. Juni) is a 1942 German propaganda war film. The storyline centers on an infantry unit during the French campaign. After the death of a war volunteer's father, the volunteer (Gefreiter Eickhoff) is treated harshly by his superior officer, Feldwebel Richard Schulz, who had been friends with the fallen father. The father had wanted Schulz to make his son a good officer. The film explores their relationship amidst the war.