Somewhere on the island of Funen, where the hedgerows surround the meandering fields, lies Uglegaarden. It is the largest and richest farm in the parish, and is owned by the widow Dora and her three brooding stepsons Karl, Viggo and Thomas. Their regular haunt is the village inn, where the crone Sara has to put up with their coarse-grained advances. The three brothers have big plans for the small neighboring farm Mosegaarden. They have discovered that under Mosegaarden's lean fields and high slopes there are large quantities of raw gravel. Chr. Thorup, who owns the site, has mortgaged the farm far above the chimneys. Now the Uglegaards brothers are just waiting for the right time to take over Mosegaarden. But when Thorup's son, Henrik, unexpectedly shows up at Mosegaarden, the three brothers' sinister plans are thrown into disarray.

Landowner Martin Kaas lives with his grandson Martin at Næsbygård. Martin is an avid horseman. One day, his horse loses a shoe, so Martin goes to see the village blacksmith Mortensen, where he meets the blacksmith's foster daughter Elise. The blacksmith is known to be an honest and religious man, but no one but Elise knows how brutal and cruel he really is. Elise discovers that her foster father, together with the estate's manager Hermansen, is involved in many shady deals that are not in the best interests of the estate. Martin, who often feels lonely, forms a warm friendship with Elise. One day, Martin disappears, and a letter left on his bed reveals that he has been kidnapped and that only a large ransom can bring the boy back.

Niels Pind is a drunkard who is exploited by some of the town's residents. This comes to an end when his son, Jens, returns from America with a lot of money. Jens buys the local estate and starts extracting gravel from the ground. He quickly gains a bad reputation in the area because he only thinks about money. Niels Pind disowns his son. However, Jens changes as he falls more and more in love with Ingrid.

Based on a true story from the fateful day of August 29, 1943, when the Germans disarmed the Danish army and navy. The minesweeper MS 1 plays the leading role in the film about the ship that refused to surrender. The commander, Captain U.H. Gad, camouflaged the boat as a tugboat under the name 'Sorte Shara'. With Sweden as its destination, the boat set sail and experienced hours of excitement as it approached the German observation posts.

Jan Scharf's band is playing at Grönköbing Folk Park. Pianist Jan flirts with a young female audience member. Her friend notices what is going on, so they have to flee headlong. Back home in Copenhagen, they discover that their old residence has disappeared and a new high-rise building is going up, leaving them homeless. Jan has an uncle in Nyhavn, where he plans to stay temporarily.

A very respectable married couple, dentist Rudolf Thomsen and Helene, his sweet and quiet wife. He is deeply absorbed in his dental work and expects to be rewarded for his diligence with a prestigious position at a clinic in Amsterdam. Incidentally, he is quite fussy about his health and systematically avoids anything that might add color to his life.

Most of the ingredients in this filmed circus performance are familiar and simple, but something special has been added—something as simple as ordinary humanity. They talk and behave just like everyone else.

In the village Karrild, the Countess Sonia Hardenborg and a young unmarried woman, Marta, give birth to a daughter on the same day. Marta dies after birth, so Marta's daughter, Betina, come under the care of the countess. 17 years later, Betina and Countess Sonia's daughter, Maria, meet, as Betina is living in a home for orphaned girls, which is adjacent to the Hardenborg estate. The two girls become friends, and Maria invites Betina to visit her at Hardenborg, to greet her parents Sonia and Otto Hardenborg and her brother Count Flemming. Meanwhile, Betina's father, Frank Jensen, starts working in the estate's woods, and when the two girls come to visit him, he is shocked by the resemblance between the young countess and Betina's mother Marta.

When a young woman falls in love with a gown in a shop window it leads to adventure and romance exceeding even her own vivid imagination.

Poeten and Lillemor are making their living on his writing, but the general interest in modern poetry is low and their income very small. A creditor is dogging them, when a sudden bequest gives them some breathing-space. They buy an old house in a small village, where living is cheaper than in Copenhagen. The villagers are distrustful towards the newcomers. After a while the baker, the butcher and the grocer won't give Poeten and Lillemor credit anymore. Also the old creditor is back dogging them. Should Poeten renounce his high poetical standards and write simple verses for popular music, to get money?