
Acting
From Wikipedia, the free encyclopedia Henry Brazeale Walthall (March 16, 1878 – June 17, 1936) was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915). In New York in 1901, Walthall won a role in Under Southern Skies by Charlotte Blair Parker. He performed in the play for three years, in New York and on tour. With the company of Henry Miller he gained recognition on Broadway in plays including Pippa Passes, The Only Way and William Vaughn Moody's The Great Divide (1906–08). His fellow cast member James Kirkwood introduced Walthall to D. W. Griffith, and at the conclusion of that engagement, Walthall joined the Biograph Company. His career in movies began in 1909 at Biograph Studios in New York with a leading role in the film A Convict's Sacrifice. This film also featured James Kirkwood, and was directed by D. W. Griffith, a director that played a huge part in Walthall's rise to stardom. As the industry grew in size and popularity, Griffith emerged as a director and Walthall found himself a mainstay of the Griffith company, frequently working alongside such Griffith regulars as Owen Moore, Kate Bruce, Lillian and Dorothy Gish, Mae Marsh, Bobby Harron and Jack and Mary Pickford. He followed Griffith's departure from New York's Biograph to California's Reliance-Majestic Studios in 1913. After a few months with Reliance, he joined Pathé for a short period. He decided to go into the producing business and formed The Union Feature Film Company, the first to be devoted entirely to full-length films. The venture was not successful, however, and he again became associated with Griffith's company. Given the relatively short length of films in the early years, Walthall frequently found himself cast in dozens of films each year. He gained national attention in 1915 for his role as Colonel Ben Cameron in Griffith's highly influential and controversial epic, The Birth of a Nation. Walthall's portrayal of a Confederate veteran rounding up the Ku Klux Klan won him large-scale fame, and Walthall was soon able to emerge as a leading actor in the years leading up to the 1920s, parting ways with Griffith. Walthall continued working in films through the 1920s, appearing in The Plastic Age with Gilbert Roland and Clara Bow. He portrayed Roger Chillingworth in Victor Seastrom's 1926 adaptation of The Scarlet Letter opposite Lillian Gish. Walthall continued his career into the 1930s. After his performance in director John Ford's 1934 film Judge Priest starring Will Rogers he enjoyed a golden period of his career. He portrayed Dr. Manette in A Tale of Two Cities (1935), starring Ronald Colman. In 1936 he appeared as Marcel in The Devil-Doll. He was gravely ill during his final film, China Clipper. Frank Capra wanted Walthall to portray the High Lama in his 1937 film, Lost Horizon. "Frail and failing, he died before we could test him," Capra wrote. Walthall has a star on the Hollywood Walk of Fame located at 6201 Hollywood Boulevard.

Dorothy, the unsophisticated daughter of Johann Graff, a stern, protective cobbler, dreams of entering café society after a night out with a friend. One night, Dorothy meets Bert Emmonds; they marries after three dates, and the outraged Johann disowns her. When Bert is falsely arrested for stealing an automobile, Dorothy is forced to work as a cigarette girl. She and Bert are later reunited, and Johann forgives his daughter.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

Judge Priest, a proud Confederate veteran, restores the justice in a small town in the Post-Bellum Kentucky using his common sense and his great sense of humanity.
An old colonel is proud as a peacock: his son leads a group of volunteers in the American Civil War. Untill one day his son returns home as a deserter.

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.

A parody of D. W. Griffith's "The Birth of a Nation", "I Am Not a Racist" rearranges the scenes of the classic movie and recreates its dialogues to criticize the racism in it and also in the world today. Freemenville is a little city somewhere in the USA. A city ashamed because of its past of slavery, but proud of being the first in the country to end it. There is an annual ball to celebrate this fact. And this year's ball may be the biggest ever, because of the possible presence of a big celebrity, who is coming to town to see the premiere of a play. However, the play happens to be D. W. Griffith's "The Birth of a Nation", a racist work that starts a series of events exposing the racism that still exists in the city, culminating in the recreation of the KKK.

Respected Parisian banker Paul Lavond is framed for robbery and murder by crooked associates and sent to prison. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond, however, is consumed with hatred for those who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge.

In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death.



