Tsuru is a roving broadcaster and collector of singing-and-dancing DNA samples, kept in her lunchbox. One day she finds an abandoned script (its penniless author has fled to Taiwan in search of a woman) and so she moves into the writer's house and sets about staging it as a play.

As a family goes on with their day, the shadows on their walls lead a completely different life.

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.

An experimental short featuring people and nails.

Experimental short film about two men carrying a door.