This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

Exposé of two news photographers covering the People's Revolution in the Philippines.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

Based on a popular novel with the English title Devil in the Flesh by Alexandre Jardin, this little drama tells the story of Virgile (Thomas Langmann), a sixteen-year old boy who has grown tired of being a virgin, and decides to seduce Carla (Kristin Scott-Thomas), an older woman. Rather to his surprise, despite his callowness, she proves to be quite willing.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

A stodgy, married schoolteacher has a chance encounter with a free spirited young woman who loosens him up and introduces him to a hippie lifestyle.

François Naulet turns his bedroom into an island of drugs, loneliness and despair.

For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.

Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

This is the story about Joy who falls in love with an older man (she has been looking for her missing father all her life), and then travels around Paris with him and his other female companion, experiencing a broad range of sexual encounters.