
Acting
Helmut Qualtinger was born in Vienna, Austria. He initially studied medicine, but quit university to become a newspaper reporter and film critic for local press, while beginning to write texts for cabaret performances and theater plays. Qualtinger debuted as an actor at a student theater and attended the Max Reinhardt Seminar as a guest student. Beginning in 1947, he appeared in cabaret performances. In 1949, Qualtinger's first theatrical play, Jugend vor den Schranken, was staged in Graz. Up to 1960, Qualtinger collaborated on various cabaret programmes with the Namenlosen Ensemble made up of Gerhard Bronner, Carl Merz, Louise Martini, Peter Wehle, Georg Kreisler, and Michael Kehlmann. Qualtinger was famous for his practical jokes. In 1951, he managed to launch a false report in several newspapers announcing a visit to Vienna of a (fictional) famous Inuit poet named Kobuk (author of "The Burning Igloo"). The reporters who assembled at the railway station however were to witness Qualtinger, in fur coat and cap, stepping from the train. Asked about his "first impressions of Vienna", the "Inuit poet" commented in broad Viennese dialect, "Haaaßis'sdo - [It's hot here]". The short one-man play Der Herr Karl, written by Qualtinger and Carl Merz and performed by Qualtinger in 1961, made the author known across German-speaking countries. "Herr Karl", a grocery store clerk, tells the story of his life to an imaginary colleague - from the days of the Habsburg empire, the First Austrian Republic, the Austrofascist regime leading up to the Anschluss (annexation) by Nazi Germany, World War II and finally military occupation by Allied forces in the 1950s, seen from the perspective of a one who is a prototypical opportunist. Qualtinger's portrayal of the petit-bourgeois Nazi collaborator came at a time when "normality" had just been restored and Austrians' involvement in the Nazi movement was being downplayed and "forgotten", making many enemies for the author, who even received anonymous threats of murder. Beginning in the 1970s, Qualtinger frequently performed recitals of his own and other texts, including excerpts from Adolf Hitler's Mein Kampf and Karl Kraus' Die letzten Tage der Menschheit (The Last Days of Mankind). These recitals were highly popular and resulted in several records being published. Qualtinger played countless theater, TV and film parts, making his final appearance in The Name of the Rose in 1986, along with Sean Connery. Qualtinger died in Vienna on 29 September 1986, of a liver condition. From Wikipedia, the free encyclopedia

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

Bad Ischl is in a state of great excitement: the Emperor of Austria-Hungary, the Prussian Emperor, and the Russian Tsar are expected. But then plans to assassinate the heads of state become known. The Austro-Hungarian secret service deploys its "special unit": Mikosch and his helpers are to secretly neutralize the assassin...

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.

It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.

Hans Baerlach is a Swiss police detective who has dedicated much of his career to pursuing powerful and allegedly murderous businessman Richard Gastmann. Though Baerlach's partner meets his demise while investigating Gastmann, his replacement, Walter Tschanz, is undaunted. Meanwhile, the lovely Anna Crawley becomes involved in the case, which proceeds to take many twists and turns.

District Inspector Pokorny was transferred some time ago from Vienna to the fictional Upper Austrian town of Mühlstadt after assaulting a suspect while on duty. There, as he says, he has to deal with "idiotic scoundrels who steal each other's chickens." Police officer Janisch was given a quick trial and sentenced to seven years in prison for robbing the post office in Litzelsdorf. His colleagues do not believe he is capable of such a crime and try to catch the real perpetrators. At the same time, they have to deal with a multitude of other cases.

Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.

In 1815 Vienna, a corsetmaker falls in love with a valet.

A man comes to a small village to begin his new job as an attendant at the nearby castle. But everybody in the village claims that he surely must be mistaken, there is no need for an attendant at the castle.

The second film adaption of the legendary monolog by Helmut Qualtinger and Carl Merz.

Twelve different episodes of erotic relationships are described as examples of modern love substitute.

Mr. Karl tells his life story – from the 1920s to the 1950s. As an opportunist and survivor, he combines different facets of the Austrian soul. He is a petty-bourgeois follower, but he always knows how to make the most of opportunities for himself.
Five film directors were given the task of making short films based on titles of drawings by Paul Klee.

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.

