A cloud of black dust, one of white dust, and the world.

A day in a young slacker's life in Hamburg, Germany.

An animated film made from collages. With a film text by poet and left-wing essayist Peter Rühmkorf. A satire on advertising language.

A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.

A “film-noir” on double identity and role reversal. A man is looking for a woman to love. He finds her in a seedy bar and persuades her to marry him. The day she decides to flee… he kills her. To ward off suspicion, he moves in with the sister of the deceased.

Documentary about the film pioneer Guido Seeber.

In the 1970s, music critics and military personnel meet in a recording studio at NATO's European Command to discuss a final music program for Central Europe.

In the 1970s, music critics and military personnel meet in a recording studio at NATO's European Command to discuss a final music program for Central Europe.

In the first half of the 19th century there was a revolt in the central state of Hesse, led by Georg Büchner (Gregor Hansen), the well-known German writer, and a fellow rebel, Pastor Weidig (Franz Wittich). Büchner wrote a kind of declaration of peasant rights against the tyranny of the landholders of the time, and once that declaration ("Der Hessische Landbote") was made public, Büchner escaped to Strasbourg, and then to Zurich where he was killed in 1937, at the age of 23. Pastor Weidig was captured, sent to prison, tortured, and killed in prison. The revolution the two men had hoped for died on the vine due to an informer -- a planned uprising was brutally squelched -- and the peasants had to bide their time for another 12 years before the 1848 Revolution would bring them some of the rights demanded in Büchner's pamphlet.

The year was 1972. A commune of Berlin stoners and intellectuals set adrift in space in a packing container clutched in a giant flying hand. Based on Herbst's 1974 animated sci-fi film DIE PHANTASTISCHE WELT DES MATTHEW MADSON.