
Acting
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The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a devastating secret that turns the night into a battle of truth and denial.

Four small gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop in the countryside, in an old, wrecked house, hiding there for several weeks. Slowly, one after another, they realize, that they would like to stay there, start a new life.

High school is coming to an end for the shy Gustav and his best friend, Buller. The two outsiders only think about sex and talk about nothing else. Gustav is hopelessly in love with popular Barbara, who is barely aware of his existence. But the boys' lives change completely when an alien in the form of a handsome guy named Allan suddenly drops from the sky. Without knowing about Allan's plan to take over the earth by procreating with as many people as possible, Gustav and Buller form a special friendship with him. Suddenly, Barbara also catches sight of the clumsy Gustav. In time, it dawns on both Gustav, Buller and Allan that sex is about more than procreation, and that truth changes their world forever.

It's not easy to be Barry. An earthworm gets no respect. He lives at the bottom of the food chain. But one day, an old disco record turns his life upside down. Suddenly he sees before him his own destiny, the star of the world's greatest disco band: Sunshine Barry & The Disco Worms! Okay, he's got no arms, no rhythm and no band. But as Barry says: "We'll do it anyway!"

Wiinie and Karina are to be released on parole from Vestre Prison, and the prison warden is relieved to be rid of them. The Christian TV channel HKK is short of money, and the chairman of the board gladly accepts a compensation check from the government to resocialize the two girls. Winnie and Karina have convinced themselves that they will each receive a million kroner for working at the channel. And then the complications and chaos begin!

Torben is a shiny young apple with a dream: making it to the bright lights of the supermarket fruit section. But his dream is shattered one sunny morning when a worm pokes her head out of his perfect skin. Sylvia is her name, and she is really very nice.

Four people plan to rob a bank on new year's eve, when no one will notice because of the celebrations.

The basic story of a young criminal not quite living up to his won ideals of "not to give a damn" sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they've done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn't help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

Based on director Lotte Svendsen's own memories of her childhood on the Baltic island of Bornholm, but though it is set in 1981 the conflicts portrayed do not seem far away. At the start of the film Lars Erik and his wife Sonja are doing well on the Baltic island of Bornholm. Lars Erik is a successful fisherman, Sonja is a traditional housewife, proud of their new house bulging with consumer goods. Their love for each other is the sturdy footing on which their home is founded. Lars Erik employs three men on his trawler, and spends as fast as he earns, so when fishing quotas are cut he faces a crisis. One by one his men leave the boat, but he refuses to give up. Being a fisherman is like being a farmer - you depend on the wealth of mother nature herself. However, mother nature is like romance, highly capricious!

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.




