In the Summer of 2020, at the height of the Black Lives Matter protests in her country, Helga Davis wrote a text that voices her pain, her despair and also her hopes for the future. ‘OK’ scrutinises the relations between Black and White while searching for the essence of collaboration and caring about the other.

This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

On the eve of a major performance, singer Vivienne receives life-altering news that causes her to reevaluate her priorities. Crisscrossing the busy streets of New York City, she tries to balance her upcoming tour, family, and friends. Through interaction with her overbearing mother, Jeanne, her long-time manager, Ben, and her ex-husband, Nick, Vivienne strives to make peace with the decisions and sacrifices she's made along the way.